I think if you asked a runner, ‘what’s better, a marathon or a sprint?’, alternating between the two is perhaps the ideal. Even as a composer, you’re able to be part of the development team, and I love that environment it’s almost like being in a band. What’s wonderful about games is getting involved early. The movie gestation period is actually not that much shorter than games – it’s just that the composer isn’t involved until near the end. How do you manage those differences, both compositionally and emotionally?Ĭertainly, compared to episode-to-episode TV, games take much longer. This gives you and extra falcon flap, and powerful targets will now appear across the landscape to power your dash ability.Compared to TV shows and films, a game soundtrack’s gestation period is long and constantly evolving. You will earn thr Strength of Sauro as a reward. With Sauro defeated, you can cleanse them to bring the lizard spirit back. After all four are destroyed, use your falcon’s special ability to inflict a fatal blow. Glide around using your falcon and shoot the leg targets one final time. Sauro will take their final form now, and try to kill you with a fire vortex, flaming floor, and fireballs. Reach the end and extinguish the last fire. Head through and put out the second flame.Ĭlimb another rope and, at the top, use the rocks as cover to evade Sauro’s blasts. This protects you from Sauro’s blast until you reach the next door. On the other side of the door, command your falcon to move the block to your left. The door only stays open for a couple of seconds so, if you don’t make it through, you will be hit by Sauro’s attack and have to try again. Extinguish the flame in front of you to deal damage to Sauro.įollow the path into the next area, and weave your way past Sauro’s flamethrower until you reach a closed door. Stealthily evade Sauro’s flamethrower through this first section, and climb the rope at the end. The Godslayer gives Sauro additional lava powers after lighting three nearby fires, which throws you into the arena’s basement. The final part of the battle is a tough one. Once you have evaded that, send your falcon in again to deal more damage using its special ability. Shoot the targets on its four legs again, and prepare to avoid a huge volcanic blast that can send you hurtling to the arena’s edge. Sauro will unleash volcanic blasts, so jump and falcon glide to avoid them. The second phase takes you to an arena setting. Repeat the steps above until the other two targets are destroyed, and then unleash your falcon’s light ability to deadl significant damage to it. You can take two out before its pace quickens and you have to chase it again. Once you have caught up with Sauro, begin shooting the targets on its legs. Dash after them and keep refilling your dash meter by shooting any targets on your way. Be careful to avoid any fireballs that rain down on you, and the fiery circles that Sauro leaves in their wake. Like the earlier Cernos boss battle, you must chase after Sauro as they flee. This will cause Sauro to go into panic mode and begin the boss battle. Once you have enough tokens, climb the obelisks and light them with the tokens. To complete this, you will need to find six lizard tokens - two for each beacon - scattered across this world region. The first thing you need to do is light the three obelisks in Redwood Steppe. The corrupted lizard spirit needs to be defeated if you are to return light to this world, so knowing Sauro’s strategy is key to beating it. Sauro is one of the boss battles in The Pathless.
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